The new issue of feminist film journal cléo has dropped, built around the theme of “hot”. Among other pleasures, Kathleen Kampeas-Rittenhouse shows the bleak political view that undergirds Ceyda Torun’s Kedi (“And so perhaps the more-or-less explicit themes of interdependence and fragility woven in among Kedi’s lighter-hearted narratives are an attempt to apply a loving […]
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